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Two young debutants of the Cabaret Convention discuss the future of the genre


“A bastion of tradition,” “an exclusive country-club retreat for an older audience repelled by the abrasive tone of contemporary pop,” wrote Stephen Holden, a long-time music critic for The New York Times, of the Cabaret Convention four years ago. This month, the convention, produced by the not-for-profit Mabel Mercer Foundation, celebrates its 30th anniversary, with […]